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Fairytales and lullabies @ Mariosmetalmania

Music has it's own life. Apparently. It's always nice getting some small reminders of that even if it doesn't pay being a musician nowadays, least it inspires some to even pay notice =)

"SOL SKUGGA, which means Sun Shadow, is a Swedish female singer songwriter with a very wide range of music styles. The albums which Skugga has released so far are "Swimming Without Webbed Toes" (2007) and "Gardenia" (2008). "Fairytales And Lullabies" is her third album and was released in October 2009. You can hear she's classically schooled, because Sol has a very beautiful voice. But don't expect any metal songs on this album. There are a few up-tempo pop songs, but most of the songs are very calm with piano or Celtic influences. "Fairytales And Lullabies" is a very beautiful album, with beautiful songs like "Burn Her", "This Is My Time", "Fairytales And Lullabies", "Quietly Crucified", "Sweet Lullaby", "Letter To Myself", "Simply Me" and "Slowly Fading", which give me goosebumps sometimes. But it is NOT an album meant for metalheads, punkers or hardcore freaks, unless you have a broad music taste. "Fairytales And Lullabies" is more something for anyone who's into KATE BUSH or TORI AMOS etcetera. Anyway it's a wonderful album."

Words by: Ad van Osch
Rating: 82/100

http://www.mariosmetalmania.com/CDDVDreviews.html

 
Fairytales and lullabies @ Lords of Metal

Sol Skugga is a band from Sweden. Actually, it is not a real band but a solo project from singer Sol Vikstrom and the project can be compared to the solo work by Tarja or Anneke van Giersbergen. Sol Vikstrom is the driving force behind the music and the other musicians support her. On 'Fairytales And Lullabies' she got help from guitarist Staffan Osterlind (who has worked together with Paul Di'Anno in the past), fiddler Thomas Von Wachenfeldt and Stefan Hallgren.

'Fairytales And Lullabies' is Sol Skugga's fourth album and the music on the album is somewhat comparable with the work on Liv Kristine's solo album 'Enter My Religion', some Roxette songs (from the Marie Fredrikson era) and even some Garbage and Tarja on her Christmas album from 2006 (‘Henkays Ikuisuudesta’). The way she sings is comparable with Kate Bush and Sharon den Adel but with the trade mark Scandinavian sound. The first song on 'Fairytales and Lullabies', 'Say It' is rather experimental and absolutely not representative for the rest of the album. 'So Strange' has got a nice and dark The Birthday Massacre vibe and 'Share Tonight' could have been a modern Kim Wilde song. This song is also the highlight of the album with a lot of room for Staffan's guitar parts.

The only disadvantage 'Fairytales and Lullabies' has is the fact that Sol Skugga is not a metal oriented band. Personally I have no problems with that but this is a Lords Of Metal review after all. In short, 'Fairytales and Lullabies' is a good album when you compare it to other releases but it is not a metal oriented album. If you have a broader taste in music than just metal you should definitely pay a visit to Sol Skugga's MySpace.

http://www.lordsofmetal.nl/showreview.php?id=16129<=en

Words by: Erwin, 2010
Rating: 75/100

Last Updated ( Tuesday, 13 April 2010 19:14 )
 
Fairytales and lullabies @ Concrete webb

To say the the Swedish artist goin’ behind the name of Sol Skugga (her real name being Vikström - I wasn’t able to find out what her first name is – the artist name stands for the duality within herself; something you’ll understand when finding out the name means “Sun Shadow”) is of the creative kind, is somewhat of an understatement. While goin’ to Vadstena Academy (where she learned clothes design and fashion) in 2001, she started designing her own modern fatasy and fetish clothes as a hobby to pay her loans, then registered the trade name Accented to print sophisticated graphics on T-shirts. Already interested in music, and at that moment in love with another woman, she made her oldest recorded song (“Ghost”, which was to appear on her second album Gardenia) in those days. She finished her Batchelor of Informatics degree in Media Informatics, Business Development, Systems Design and Graphical Design in 2003, and turned Accented in a web production company to have a part time job along with other dayjobs as a sales person. In 2005 she was hired as production assistant, webmaster & press responsible for a bikini fabrics maker and clothing design company in Stockholm. A job which would dissatisfy her thoroughly, and from which she would free herself in order to concentrate on her own projects. Having had lessons in classical music through private teachers since the age of 7, Sol had really always had other interests besides music, but eventually she took one year’s training in songwriting in 2007-2008 at the Royal School Of Music. All along, she’d continued to write songs, and in 2006 she opened a page on MySpace where she posted the aforementioned “Ghost”. In early 2007 she was busy recording her debut album Swimming Without Webbed Toes, when guitarist Staffan Österlind (known in the first place from his collaboration with Paul DiAnno in AK47, but also from M.ill.Ion and his contributions as a guitarist, sound engineer or producer/ arranger to albums by the llikes of Merrygold, Bloom, Burning Engines, From Behind, Reckless, and the Sweden Rock Festival among others) contacts her with an offer to produce her album. He also added some real raw guitar solos and some theremin keyboard sounds to some of the songs, and has been a constant in Sol Skugga’s musical outings ever since. The album was released through Accented in November 2007. Already a recording studio addict, Sol could be found recording her sophomore album soon after the release of her debut, and in early 2008 she invites violinist Thomas Von Wachenfeldt (a one-time guitarist for De Tveksamma, Thomas developed a passion for classical music and went back to music school for 6 ½ years to perfect his playing on the violin) to play fiddle to the song “Empty Street”. Another deep friendship was born, and the Gardenia album made its appearance in November of 2008. In early 2009, Sol/ Accented struck a deal with Stefan Hallgren, with whom she started to run the Happy Minds studio…which is where she would record her latest album, of course with the collaboration of both Österlind and Von Wachenfeldt. The latter playing violin, mandolin and banjo on the calmer and more Folk-oriented “Burn Her”, “Sweet Lullaby”, and “Slowly Fading”…the first (Sols correction: This is Stefan Hallgren playing, its easy to mistake these guys for being the same person) playing Fender bass on most of the tracks and adding some guitar licks (intro to “Quietly Crucified”, lead guitar to “Sweet Lullaby”, and Leslie to “Simply Me”) and acoustic drums (to two songs – other drum sounds were created electronically or taken from samples by Sol). With Sol responsible for all vocals (also backings, which makes those come over quite harmonic), piano, acoustic guitar, a lot of electric guitar (even leads), electronic drums, ambient sounds, synthesizers and samples, she still saw place for a couple more contributions coming from Anthony “ScrewMaker” Mea, Jonas “Nordpol” Johansson, and two MySpace “helpers”. Musically, Sol Skugga goes through the motions of its embodying person. Her first album contained music written in a darker period of her life, when she was surrounded by depressed people and friends, a dear one even dying. Therefore the music on that album was rather geared into a Gothic direction. With Gardenia Sol wantedto show a softer, dreamier and more romantic side of herself, with her love for Folk music in focus. The new album however, is more upbeat, and in spite of having many acoustic moments, and shows an amazing warmth al well as versatility, seeing her go through several musical moods, ranging from Electro-driven Guitar Rock (album opener “Say It” andtheensuing “So Strange”, the latter a bit softer), Folklore and Rock ballads (i.e ”Burn Her” and “Quietly Crucified” respectively), all of which have a nice “Soft-Progressive” feel (in a Pop sense) underneath, all of which with an amazing honesty in the lyrics, which relate to stuff she comes across in her life. Vocally, Sol has been compared to such respected artists as Tori Amos, Amy Lee, Regina Spector, and Kate Bush, and her music to the likes of Nine Inch Nails, U2, Blondie, Peter Gabriel, and Björk’s Human Behavior album. When listening to the (9!) songs posted at myspace.com/solskugga, I’m sure you will discover something of all these! In conclusion, an artist whom really deserves being discovered by the public at large. In the USA, people are slowly opening up to her, with record label Cauldron Soundwerx distriibuting her latest album and organizing an early 2010 tour over there. She’s obviously also enjoying sóme success in Sweden, where music of hers has been aired on several independent radio stations and podcasts (Somojo.net has had her in the Top 20 charts since December 2008). In early 2008 Sol entered a band contest organized by Tele2 and Warner, from which she finalized as #21 out of 800 participants. Now, it’s time for the rest of Europe to discover his delightfully luscious Swedish artiste, so head on over to her MySpace page, then also check out Sol’s own website solskugga.com! Do it now, do not let the opportunity pass you by!!!

95/100 - 14 March, 2010

 
Fairytales and Lullabies @ Classic Rock Society Magazine

“Sol Skugga is Swedish a releases her third album “Fairytales and Lullabies”. This is folk rock/progressive authentic music with shifting landscapes and honest lyrics. Sol is classically schooled singer similar to Kate Bush and Tori Amos. A gentle touch of string, acoustic guitars, some big folklore/rock/symphonic ballads here plus a couple of pop tracks. Sol plays most of the guitar on this album and her music is frequently played on various independent radio stations throughout Europe. An interesting collection of songs here which should be heard worldwide.”

Words by: MC Feb 11, 2010.

 
Fairytales and Lullabies @ Dangerdog

"What kind of music Sol Skugga and her latest work, Fairytales and Lullabies, may be is open to some interpretation. However, I do know two things. First, it really doesn't fit our review criteria. This work is some eclectic mixture of folk, pop, dance, and electronica. As a vocalist, Ms. Skugga (not her real name, of course) fits in the same field as Tori Amos, Amy Lee and, loosely maybe, Kate Bush. Fairytales and Lullabies shows her impressive song craftsmanship and musicianship throughout. A self-confessed studio rat Sol depends heavily on production and collaboration with other artists including Staffan Osterlin, guitarist for ex-Iron Maiden vocalist Paul DiAnno. Her music is certainly novel and appealing if you're into the aforementioned styles and artists, which leads to my second observation. I don't normally look for, listen to, or generally care about this type of music or the associated artists. Therefore, I'm a reluctant to comment on Ms. Skugga's material. I would normally skip this sort of thing. Nevertheless, suffice it to say this: without doubt Sol Skugga is quite talented and her music is finely crafted and well-produced with Burn Her, I Wanna Know, and Quietly Crucified being noteworthy songs. Recommend Fairytales and Lullabies to your girlfriend or your favorite art gallery or cafe."

http://www.dangerdog.com/2010-music-reviews/sol-skugga-fairytales-and-lullabies-review.php

Words by: Craig Hartranft - 31 Jan, 2010

 
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